sound design

2014

No Place Like (sound design)

Forbidden cake, a sunset remembered in gouache, and a pigeon that was really an owl. Based on recordings of real conversations, No Place Like celebrates the everyday experiences and lifelong memories of an older generation living in care homes. As playful and poetic as the voices that inspired it, this devised, ensemble piece asks how we might reconnect with a generation which feels increasingly distant. A devised piece by Le Mot Juste Theatre.

2012

The Story Project 4: Terror, Tears and Twenty Twelve (sound design)

Ugly Sisters Present: 10 writers and 10 directors have 10 minutes to grab your attention, each of their tales teetering tantalisingly around the theme of terror, tears and twenty twelve.

http://www.uglysisterproductions.com/the-ugly-sisters/


2012

Soundtrack for a film to promote The Unilever Series: turbinegeneration (composition)

The Unilever Series: turbinegeneration is a unique programme that brings together schools, galleries and artists from across the world. The Unilever Series: turbinegeneration will enrich and build lasting international partnerships by combining the virtual with the real. Provision of an annual Summer School where artists, institutions and young people come together will help maintain momentum and feed back into sustaining high quality online exchange on the web platform. This will rotate between participating countries each year. The European group will pilot this international venture together in 2012 with a view to integrating it into the core programme from 2013 onwards.

The footage from the summer school was edited back in the UK and shown as part of Louisiana Museum’s presentation at the World’s Together conference.

http://turbinegeneration.tate.org.uk/


2012

The Five O'Clock Club (sound design)

a play which captures the nuances of London and Londoners, as well as the mixed feelings many of us have about the London of Olympics this year; as we watch London change around us, this is a chance to hear the stories lost in the hubbub
director Will Wrightson
http://www.theatre503.com/


2012

Restitution (sound design)

a new play about holocaust reparations, by Emily Juniper, at the King’s Head Theatre, Islington

http://www.uglysisterproductions.com/


2012

Moth to the Flame (sound design and sound operator)

a new award-winning play at the Unicorn Theatre
director Tom Foster
http://www.unicorntheatre.com/


2011

Killing Moon (sound design)

a new play specifically written for the theatre company at Theatre 503
director Helen Broughton
http://www.theatre503.com/

2011

Hotel Confessions (sound design/composition and sound operator)

a site-specific performance at The Bermondsey Square Hotel, London SE1
director Anouke Brook
http://www.thebuildingsitetheatre.co.uk/

2003

Under Milk Wood (sound design/composition)

a performance in the dark for the University of York Drama Society
1999

The Tempest (sound designer/composer and collaborator)

a promenade performance for the Cambridge Experimental Theatre Company

1999-
 2002

various plays (sound designer/composer, musician, and actor)

specifically-written plays for Libra Theatre Company, Cambridge

1996

Cabaret (music arranger and musical director/conductor)

Sussex Musical Theatre Society